"Strong, female characters"

This weekend I had a massive copy job to finish- over 50 pages of music to input into Sibelius by Sunday. Since the Hungarian Pastry Shop was still closed for renovation, I decided to just stay at home to do the work- I’m faster on my desktop anyway. Plus it would give me to a chance to watch (listen) to my newly acquired Wonder Woman Season 2 DVDs.

I was a bit apprehensive about Season 2; I didn’t want my childhood favorite to be tainted by watching through grown up eyes. That is what happened when I eagerly bought Season 1 a couple years ago when it was first released to DVD. I remember popping in that first disc, and 5 minutes into the pilot thinking, Who are these boring WWII military dudes, and when are they going to show Paradise Island?!? I’m sorry, but that first season is BORING. How did I love this show as a kid? I don’t even have the attention span for it as an adult! And what’s more, Diana is annoying! Will she ever stop swooning over Steve Trevor and doesn’t she find his swooning over Wonder Woman a bit demeaning? To be honest, I found that season to be a bit sexist! (and that is a word I use sparingly; as a female jazz musician, I have experienced too much testosterone to cry “sexist” at every small offense).


Nonetheless, I hoped that with the revamping of the show out of the 40’s and into the 70’s, there would be improvement. And after watching (listening to) almost the entire season on Saturday, I was not only pleasantly surprised, but greatly relieved. THERE was the Diana Prince and Wonder Woman that inspired me as a child. Sure, WW’s costume was a bit skimpier, but Diana Prince was just as bad ass as WW! For starters, she was no longer Steve’s assistant, but his associate (love that Themyscirian hypnosis!). She no longer bat puppy dog eyes at Steve, and while he still held an infatuation for WW it is balanced by his respect for Diana. I appreciate how Diana/WW was the same character from the first season and this story just literally toke place 30 years later. And while I feel like the comic’s version of Wonder Woman is more serious, down to business, and even a tiny bit jaded, I love that the TV series portrays Diana and Wonder Woman as very optimistic and eager to find the good in every person or villain (which were constantly getting no more than hand slaps!). It’s just refreshing.

Watching this season brought a wave of nostalgia and realization of how strongly this show influenced me and is at least partially responsible for my current career path. Like many whose childhood was spent in the 80s, I grew up on those WW reruns. I idolized Diana Prince and thought Wonder Woman was the most beautiful woman in the world. I wasn’t really into TV, but I have distinct memories of running next door to my neighbor’s house to get my friend Jay because “Wonder Woman was coming on.” I remember forcing Jay to play “Wonder Woman” with me. I would make him be Steve Trevor (I was a very bossy little girl) and I would be Wonder Woman and would save him from whatever bad thing our 5 year old minds could think of (as we lived on a military base, I’m sure we were able to think of many “bad” things). At the time, Wonder Woman was just a fun game, but looking back as an adult, I see how strongly the show and more over, the character of Wonder Woman influenced me.

To begin with, she was someone I felt I could relate too. I remember fretting that because I had brown hair, I could never be as pretty as those with blond hair (lets blame Barbie for that!). But here was this woman with brown hair and blue eyes, just like me, and she was beautiful! And not only beautiful, but strong, kind, and a hero. The daughter of a Marine, and living on a Marine Base at the time, I was very aware of “heroes” and the concept of saving lives. But, the majority of the Marines I knew were men. To see a female hero, and at a such a young age where I didn’t completely recognize the difference between fiction and reality, taught me a sense of equality between men and women that I never bothered to question thereafter. Of course, I would be remised if I didn’t point out that my mother was also a very strong, independent woman and growing up, it never occurred to me that women could be viewed as lesser beings than men.

That crucial exposure as a child set a precedence: I still today find myself being influenced by strong, female characters. Any given day, I may gain motivation from characters such as Buffy, Sydney Bristow, Veronica Mars, and Lara Croft as well as Black Canary, Oracle, and Donna Troy (whose history of having to restart her life repeatedly I could relate to the most, as I was constantly restarting my life every 2 years as a military brat, and whose story inspired the partially autobiographical song “Serenade for Donna Troy”).

It’s not that I feel oppressed or heavily discriminated against, in fact, most men I know and associate with are very comfortable with women and our role in society. But as someone who loves finding reality in art, I can’t help but be inspired when I read about Oracle out-smarting the Calculator, complete the Bolivia level of Tomb Raider, or watch River Tam beat down the Reavers and Diana Prince spin into Wonder Woman.

It used to be that I only had those fictional characters to look up to, but now my world has been opened to the genius of Maria Schneider, Asne Seierstad, Gail Simone, Joan Stiles, Ingrid Jensen, Paula Radcliff, Deena Kastor, Twyla Tharp, and Pam Pietro, to name a few.

A few years ago I had the privilege of attending a benefit for Equality Now. The organization was honoring men who made an impact on women’s equality. Joss Whedon, among others, was being recognized. Joss’s speech on “strong female characters” brought chills to my arms and tears to my eyes (as did the incredible stories of the ordinary men who were also being honored). Afterwards, I sheepishly introduced myself to Joss, got a photo with him (below), an autograph on Astonishing X-Men #1, and slipped him a CD of my Infinite Crisis inspired Master’s Recital (hear it here). He was a super nice guy whose sincerity in his beliefs were clear by his willingness to meet and greet all of his female fans.

If you have a few minutes, watch this video of his speech:

Living life, male or female, and pursuing art, can be extremely challenging. I feel lucky that I have such a large bag of inspiration to pull from when it is needed. I will always feel grateful that I was exposed to a strong, female character at such a young, impressionable age, whose influence continues to assist me down this sometimes cold, NY, coffee driven path.

Women, Refrigerators, and the Secret Six

Women are out of the refrigerator and joining them are every other gender-bending, cross-dressing, multi-colored, multi-oriented, so called "minority" of the comic book industry. At least as far as the newly ongoing Secret Six title by Gail Simone is concerned.

I definitely recognize that women have as of the last 10 years been one by one freed of their time sliced, diced, and stuffed in the refrigerator. I think the recent slew of strong, female characters in today's media is evidence of that. But it is also worth noting that following close on the coat tails of women's liberalization is that of the LGBT community. And this is in a large part thanks to writers such as Gail Simone who admit to not so much having a "gay rights" or "feminist" agenda in mind, but just writing what is true to each character without focusing on how the character is perceived.

Sigrid of FantasticFangirls.org expounds upon this in her recent essay "How to Kill a Refrigerator."

Secret Six has it all, then. Equal objectification of men and women. Violence, death, and maiming in equal measure. Gorgeous female antagonists, like Cheshire, and hideous ones such as Junior. Scheming male antagonists like Lex Luthor and weak, mad ones like the Hatter. When I, in 1993, envisioned feminist portrayals of women in popular culture, I must admit . . . this is just about what I had in mind. Variety. Good and bad, strong and weak, gorgeous and hideous, all in equal measure. Women as protagonists of their own stories in balance with supporting roles in the stories of others.

This is activism. Whether Ms. Simone wrote this in a deliberate attempt to foster gender equality or not — and, listening to interviews with her it’s not clear to me what her intentions were (other than to get Nicola Scott to draw a naked Catman) — really doesn’t matter. Activism, changing the world is not always done through manifestos and declamation. One can raise a question, one can take a stand, but once people agree that change is needed — well, people need to then make the change. Secret Six is, for my money, one of the best examples of a feminist vision of equality in mainstream superhero comics today. Script by script, panel by panel, Gail Simone is ending the dominant, hegemonic position of the Women in Refrigerators trope. This, this is how you kill a refrigerator.

Read the entire essay for detailed references, then read the comments where Gail herself posts a reply:

To me the answer to a lot of these questions is not so much promoting a feminist agenda, a gay agenda, or a ‘minority’ agenda…it is the promotion of a value neutral agenda, that where characters are given weight according to their story value, rather than perceived and tiresome axioms about ‘what the audience wants,’ due to decades-old assumptions.

If I write a character, I want it to be a character first, then the flavors second. I spend no time worrying about how a character might be perceived in regards to its gender, color and orientation, and that is intensely liberating. It’s why the current villain can be a cross-dressing female omnivorous sexual predator.

I think striving for equality in stories is a bit of a dead end. What works better for me is to not judge one character against another, and giving the characters the full potential they deserve (or lack thereof when they don’t). As a female myself, I don’t want women to all be super-capable and perfect, any more than most male readers want that of their own heroes. Even those who grouse and complain get bored pretty quickly when their heroes aren’t really challenged and tormented.

There's been a lot of talk about the importance of art especially in regards to funding, and lack thereof thanks to the current ecomomic crisis (and yes, I place the comic book industry into the arts column). There's been just as much talk about the rights of the LGBT community- the opposition to Prop 8, for one. This is when people need to recognize the importance of the arts! Art imitates life which imitates art. If we can't yet find a way to make a change in life, let's make it in art and wait for the inevitable life imitation. The more something becomes common, the less people are afraid of it, and the more likely a change can happen. Examples of the "minority" sect shown in an equal, or to use Simone's term, nuetral light within the arts can only encourage equality and neutralization in life. Even Sean Penn's Oscar can be considered in some small way a victory for the LGBT community in light of the role he played to earn the Oscar. And approaches to fiction such as Simone's are also a victory, and have not gone unnoticed.

Cautiously Optimistic

This is not the type of writing I'm supposed to be doing right now (where's that cup of coffee?). Damn you, tangents! But I was so cautiously optimistic after recent episodes of the only two shows I watch regularly that I can't begin to write a note of music until I've taken a second (and hopefully it will truly only be a second) to opine about this past week's Dollhouse and Heroes viewings.

***SPOILERS***SPOILERS***SPOILERS***SPOILERS***SPOILERS***SPOILERS***

Dollhouse

In it's third episode, I can say I'm still only watching this show out of my innate Cancer loyalty to Joss Whedon. After hearing Joss speak about "strong, female characters" at an Equality Now benefit and then meeting him after the speech were he graciously signed a first issue of "Astonishing X-Men," I can say I will be loyal to Joss for life and will give any creation of his as many chances as needed. And while I must admit to disappointment regarding the first two episodes of his latest show, last week's third episode, "Stage Fright," gave me to pause to hope.

Here's what I liked:

1. A more interesting plot line. Having Echo as a protector of a pop singer without being conscious of her bodyguard role was more engaging than the previous psycho date and kidnapping stories.

2. The emergence of male doll. We've seen men wandering aimlessly around the dollhouse in various wide angle shots, but now we have a main character as one as revealed in a nice little twist. This should quell the criticism that the dollhouse concept is misogynist. Now both women and men are being pimped out. Equality now!

3. Finally seeing Eliza kick a little ass! Prior to the first episode, I had misunderstood the show's concept. For some reason I had expected the doll's mind wiping and reprogramming as part of a government operation with the intent of using the dolls for spying, assassinations, etc. a la Alias. So I was disappointed with the distinct lack of action of the Buffy/Sydney Bristow vein. But this episode gave me that little bit of kick ass that I wanted from the show.

4. Echo's thinking outside of her programed mind. If I buy the idea that minds and personalities can be programmed, then it make more sense to me that if a doll was going to break the programming it would be through unintentional use of the personality given to her, as was Echo's unorthodox solution to the problem given to her. This sits better with me than the occasional memory resurfacing as a hallucination as in "The Target."

Overall, I still do not rate this show very high... yet. I could expand upon the things I dislike in the show but I will refrain as I am trying to be optimistic (and really need to get back to composing). I will say that I am taking this past episode as a sign of good things to come. If this episode had been the pilot, I think the show would have more support. While each episode is basically a one off, I understand that a larger arc will emerge showing Echo becoming aware of the mind wiping situation. This could get very interesting and I hope Fox and it's viewers will give Whedon enough time to see his genius ripen in this show.

Heroes

Again with the loyalty. I started watching Heroes after giving into peer pressure half-way through the first season, caught up quickly thanks to NBC keeping all episodes online, and while I originally abhorred the idea of a "superhero TV show sans capes," I was converted and have been a faithful fan since. I rode out the overly dramatic 2nd season and allowed the writer's strike to be the excuse for a less than stellar season. This past third season I've felt there was improvement, but it was not until last night's episode "Exposed" that I felt we finally had a show of the caliber of the first season.

Here's what I liked:

1. Multiple plot lines. I know many criticize that there are too many subplot lines happening and that may be, but I really hate not seeing at least a little snip bit of each character in each episode. Last night we saw all story lines except Hiro and Ando, which satisfied my need to know what was going on (I'll just assume Hiro and Ando spent the day in plane flying back from India!). While we didn't see Suresh, Daphne, or Tracy, we at least know where they are so there's nothing to wonder about.

2. Mommy/Daughterness. I've liked Sandra Bennet so much more since they stopped wiping her memory and was glad to see her in a proactive role. Plus its nice to see non-heroes in on the action. I'm hoping this new bond will allow Claire to mature and thus be a little less annoying.

3. The annoying characters were less annoying. Not only was Claire less whiny, but the Petrelli brothers kept their self-righteous savior complexes in cheque. I also liked Peter going in for the hug but stealing back Nathan's flying ability before taking off.

4. Peter and Matt's tag team mind reading. Yes, it was incredibly cheesy to see first one then the other turn their head to the side and give intense looks but I have to think the creators knew this and decided to embrace the inevitable Velveeta effect and just role with it. It made me laugh and so I liked it.

5. Rebel's continuing interaction. PLEASE let Rebel be Micah! PLEASE let Rebel be Micah! PLEASE let Rebel be Micah!

I know there are more things (I shoulda taken notes!) but I walked away from the episode thinking Hallelujah! The Heroes I know and love it back! Lets hope they don't f*ck it up again!

And on that note, I shall spellcheck, post, and return to Sibelius, happy with the hope that if these creative ventures can improve, then maybe so can mine! ;)